Sunday, February 3, 2019
Comapring Sympathy For Characters in O. Henrys Furnished Room and Chek
Sympathy For Characters in O. Henrys Furnished inhabit and Chekovs Vanka Two flora Cited The narrators in both O. Henrys The Furnished Room and Anton Chekovs Vanka view their protagonists as heroic and helpless in a world of cold realism. With tones rich in sympathy, the narrators in both stories take pity on their characters. Both characters require yet to understand that realistically they have little control of the glooming life they lead instead, their environment have more of an impact on their life. Trapped in a harshly ironic and deceitful world, the characters expire pitiable symbols in a world numb to their presence. Transforming the protagonists into symbols that touch on everyday gracious norms (such as unending faith and ones lodgings), the narrators promote a sense of empathy. While the infantile man in The Furnished Room represents the personified way of life in which he lodges, Vanka resembles a dark angel in his purity and innocence. For instance, like the worn-down room in which the young man stays, his social welfare depends on people and events that pass him by. The rooms personified descriptions reflect all of the young mans emotions the young man is emotionally chipped and bruised, (41) and desolat (41) like the constantly abandoned room. Also, like the room the protagonist remains anonymous, as if he means little compared to his surroundings and his lost love (all of which are given names). Vanka, though also invariable a rough life, instead possesses a beam of hope in his innocence. Kneeling before his faithful letter to his Grandfather (as if to pray), Vanka resembles a sad angel. Inspite of his constant neglect and abuse, Vanka holds steadily to his faith and wishes his Grandfather all the blessings... ...ness of mankind. The motif of diminshing hope for both characters is the narrators final sympathy-balming attempt. The manner in which the narrators present human nature--the dark side of a merciless world in which the c haracters live--as s come up as the naive and pathetic nature of both characters, render deuce stories thirsty for empathy. The naivity that both characters have towards the deceit in their surroundings, as well as their lack of control in events which they endure, cause both characters to be helpless in a cruel world. Works Cited Chekov, Anton. Vanka. Understanding Fiction. tertiary ed. Eds. Cleanth Brooks and Robert Penn Warren. Englewood Cliff, NJ Prentice-Hall, 1979. 46-49.Henry, O. The Furnished Room. Understanding Fiction. 3rd Edition. Eds. Cleanth Brooks and Robert Penn Warren. Englewood Cliffs, NJ Prentice-Hall, 1979. 39-43.
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