Oedipus Rex as a Religious Drama

Titans who devoured Dionysus. 3 Only his softheartedness remained, which Zeus ate and Dionysus was born a second time. 4 Zeus finished the Titans with lightening, and from their remains sprang hu macrocosm life, consequently humans argon both betoken and evil. 5 Sophocles embodied this aspect of God given human nature, mutual opposites, In the character of Oedipus. His actions are driven by the mother. 6 He is non consciously wicked of the crimes of incest, but the reality and irony of the forgather states that he is endorsing them. He takes the role of husband and countersign, brother and father he is mutually guilty and innocent, despite the Juxtaposed nature of these conditions, a reflection of the conditions from which humanity sprang. on that point is a definite tone of reverence in the dark proceeds matter, and a subsequent lesson that Gods that their prophecies demand respect. Nevertheless, the setting of the festival and tribute to the Gods thrust it a fundamentally religious lay.Central to religious drama is the concept that man must conform to divine order- even at the cost of himself. 17 In Oedipus Rexes, this divine order Is predetermined by the prophecies of the illusionist which is the driving draw and quarter for the entire plot. Oedipus parents receive the forecasting at his birth later, when called a bastard, Oedipus goes to the Oracle and receives the same Information and when a plague attacks Thebes, Croon Is sent to chatter It again, which reveals Its fulfillment. 8 The oracles heading Is highly active, and In this smell, fulfils the role of an antagonist.Its also enforces Aristotle notion that a character is only a result of plot, as the characters action are solely dictated by the information provided by the Oracle. 9 The role is gain ground enforced by the fact that it is not a mere figure it was a very real part of Greek culture, where spirituality and regime are intricately linked. Despite the characters best efforts (Accost and Alias leaving their son for dead, and Oedipus fleeing who he believed to be his parents. ) Its fulfillment was seemingly inevitable, perhaps even caused by their intimacy of the prophecy. 10 It s in the avoidance of circumstance in which the prophecy could be fulfilled, that is proximity to the dangerous other, that Oedipus and Alias were able to meet. 11 As afore mentioned the soothsaying is the force behind the plot, but it is the characters resistance that cause the conflict and therefore the drama. Not to taint a religious discussion with a Freudian psychoanalytical perspective, but, as this conflict shows, opuses Is perhaps ten least Kelly individual to nave an opuses complex en allocates his life to its avoidance. 12 When he discovers his predicament, his costs are encashment, the neediness of his children and his eyes, Now I will do what must be do to the source of This is a highly symbolic action as in Greek the words for know and see are correspondent. 14 He is literally removing the knowledge of his sins, knowledge he sought with such dynamism from the oracle, an image drenched with irony. The eventual(prenominal) acceptance that Apollo will have been fulfilled is, perhaps, the religious moral of the gambling the Gods are omniscient, therefore their laws will always be up held.Aristotle states, deep down its six elements (plot, character, diction, spectacle, thought ND song)1 5, that Tragedy is an imitation Of events inspiring business concern or pity16 and that the Tragic hero is above the common man, but not definitively good, he must have a flaw. 17 In relevance to Oedipus Rexes, and the sense in which it is a religious play, these elements highlight the enforced influence the presence of the Gods have on the actions of the characters, and the concept of free will. The event inspiring idolise and pity is most likely the act of incest.Although a taboo slip regardless of culture and period, its interpretation changes across ti me. A modern location is one that inherently links incest to child abuse, as we are greatly influenced by feminist theory. 18 Such theory states that incest is an abuse of the power kinetics in the family unit, usually from father to daughter. 19 However the incest portrayed in the play is unwittingly performed, by consenting adults, but, nevertheless, provokes a disgusted reaction. The cross-contamination of blood is universally considered spoil and unnatural. 20 The circumstances surrounding Oedipus and Costars union could be the fear provoking element. The order of magnitude of the tragic universe created requires he reader to question whether or not Oedipus would really have killed a stranger over right of way, if the fathom of the Sphinx was honestly that difficult- which allowed his passage to Thebes, or if the drunken mans accusation of bastard were mere coincidence. The outrageousness of the irony suggests some foul play on the part of the Gods.